Monday, May 22, 2006


Performances at LISTE 06
Curated by Monika Kästli, Basel.

During the Opening night and daily at 6 p.m.

Monday, June 12: Seb Patane, GB. Rockmaster K. & Barbara H., CH
Tuesday, June 13: Nico Vascellari, IT
Wednesday, June 14: Ahmet Ögüt, TR
Thursday, June 15: Sara Lundèn, SE
Friday, June 16: Ulla von Brandenburg, DE
Saturday, June 17: Anat Ben-David, IL/GB
Sunday, June 18: Oskar Dawicki, PL

Location: Information available at the fair entrance.

This project is supported by: Lotteriefonds, Basel-Stadt. Fondation Nestlé pour l’Art, Lausanne.

Sunday, May 21, 2006

Diyarbakır Güncel Sanat Çocuk Müzesi

Diyarbakır Güncel Sanat Çocuk Müzesi

Diyarbakır Güncel Sanat Çocuk Müzesi, Sur Belediyesi tarafından düzenlenen 6. Uluslararası Diyarbakır Çocuk Festivali kapsamında Ahmet Öğüt’ün gerçekleştirdiği workshop sonucunda ortaya çıkan mobil bir müzedir. Müzede workshop’a katılan 8 çocuğun “hayatta en sevdikleri nesneler” ve bu nesneler hakkında yazdıkları metinler sergileniyor.


Yeter İlir (14)
Baver Bozarslan (14)
Leyla Uğurlu (13)
Mizgin Öner (13)
Hasan Uğurlu (10)
Sadullah İlan (11)
Asiye Uğurlu (11)
Nazlı Yıldız (13)

14-28 Mayıs 2006
Konuk Evi Sergi Solunu

Wednesday, May 17, 2006



a book project by Catherine Griffiths and Daniel Rees

// Opening: Fri May 19, 2006, 7:00 pm
// Runtime: 20. – 28.05.2006
// Opening times: Wed – Sat, 4 – 7 pm (or by appointment 030- 44675160)
Schönhauser Allee 167. U-Bahn Senefelder Platz

The exhibition 'Home For Lost Ideas' features over 100 artists, collecting together ideas lost, forgotten, not good enough, impossible, or too beautiful.

The contributions collected for this book take the form of musings, projects, dreams; and their potentials. Some things are desperate to be made, others are better off as concepts.
In a gale of possibility one has to choose. 'Home For Lost Ideas' offers a glimpse into the choices artists make between work that gets made and things that are left behind. The book uncovers moments of inspiration, decision-making and notions of quality control.

'Home For Lost Ideas' opens where sentimentality meets humour.

The book project began four months ago and GENERAL PUBLIC is very happy to present the artists Catherine Griffiths and Dan Rees findings.


Contributing Artists:
Stefan Schuster, Sophie Calle, Anri Sala, Jonathan Monk, Øystein Aasan, Olivia Plender, David Krippendorff, Leif Erich Christensen, Kirsten Pieroth, David Shrigley, Tommy Støckle, Egill Sæbjörnsson, Raimar Stange, Daniel Rees, Dani Jakob, Ryan Gander, Allison Smith, Bedwyr Williams, Joep van Liefland, Annika Larsson, Neville Gabie, Andrew Gaston, Daniel Roth, Tamás Komoróczky, Antje Majewski, David Allen, Stefan Saffer, Simon Patterson, Nedko Solakov, Ulrike Feser, Euan MacDonald, Peter Finnemore, Mario Garcia Torres,Lauren Aston, Annabelle Kruschitz, Caitlin Masley, John Bock, Steven Pippin, François Bucher, Joan Linder, Heimo Lattner, Ahmet Ögüt, Michael Cousin, Klaus Weber, Rachel Goodyear, Ben Cottrell, Rebecca Fortnum, Freddie Robins, Oliver Croy, Tom Marioni, Barnaby Drabble, Hinrich Sachs and Eli Wikström, Pascale Berthier, Shaheen Merali, Geoff Garrison, Elmgreen & Dragset, Hayley Newman, Eleanna Horiti, Martin Dammann, Jennie Savage, Matti Blind, Isabell Heimerdinger, Marina Abramovic, Marie-Jose Ourtilane, Leo, Sofia Hulten, Helena Papadopoulos, Nick Callow, Dan Seiple, Myfanwy MacLeod, Gerold Miller, Heman Chong, Ulrike Kuschel, Pascale Marthine Tayou, Shaun Doyle & Mally Mallinson, Monika Brandmeier, Nadia Hebden, Nina Sidow, Susan Philipsz, Simon Starling, Dellbrügge & De Moll, Wolf von Kries, Joel Mu, Matthias Meyer, Anke Westermann, Chloe Steele, Peter Fend, Saim Demircan, Catherine Griffiths, Chris Evans, Chat, Jay Barsby, Tom Woolford, Kirstine Roepstorff, Ann-Sofi Siden, Lasse Brandt, Kendell Geers, Michael Petry, Gerwald Rockenschaub, Neale Howells, Chris Hammond, Ute Meta Bauer, Paul O’Kane & Bada Song, Mark McGowen, Jason Dodge, Jonathan Meese

A limited edition of the book singed by contributing artists is currently available, for further info please contact 030- 44675160 or email

Please note: Performance artist Mark McGowen will make a day long performance around Berlin ending at the gallery at 7pm. Fri 19th. Also Performance Art collective !WOWOW! present a theatricle assult, Sat 20th 8pm.
not to be missed, for more info check

Sunday, May 07, 2006



curated by Marketta Seppälä/Veronica Wiman

EPA, Erhardtstr. 27, 80469 Munich

Jasper Sebastian Stürup (DK)
Joachim Koester (DK)
Kathrine Aertebjerg (DK)
Veli Granö
Jari Silomäki (FI)
Tellervo Kalleinen
Anu Tuominen
Jacob Dahlgren (SE)
Frida Fjelllman
Hale Tenger
Ahmet Ögüt (TR)

In today's information society, economic, technological and social systems are undergoing rapid change, altering the meaning of local time and geographical space. The transformation is especially challenging with regard to the ethical foundations of the information society. The commodification of innovation has become an increasingly important goal of the global information economy. What, however, is to become of the Utopia of openness, where ideas and innovations are freely accessible and everyone has the same opportunities to create and share information?

The brief history of the internet shows how innovations of the information society are invented several times over. The World Wide Web, which came into being through the creative combination of existing technologies and was made freely available, has brought millions of people together in the 15 years of its existence. Tim Bernes-Lee, the technology's "inventor", once said that if he had asked even one cent of each person using the Web, it would never have become generally accessible.

Many people now find it hard to imagine life without the internet. The net is a tool for transmitting information, it is the world largest and most effective network for commercial transactions, and it also plays a crucial role in providing a meeting point for peers, friends and people with shared interests. A quick search can immediately involve the user in a dialogue or the development of a common interest with others all over the world – regardless of geographical location. The connection offers an intimacy between people that in better times leads to generous and mutually beneficial exchanges.

One of the consequences of the internet has been the emergence of open source software, as a challenger to proprietary software. This began almost by accident, in 1991, when Linus Torvalds uploaded a piece of source code onto the net – purely for amusement – which later became known as the Linux operating system.

Open source was, until recently, confined to specific interest communities and business areas. Today, however, there are practitioners in every field, with usage growing especially in music and the visual arts. By creating alternative modes of expression as well as new and different forms of ownership, open source acts as a kind of alternative business model vis-à-vis the existing paradigms, based on competitiveness.

Which models will dominate in the future, we can only wait and see. Today, open source software would seem to be opening the way to the information society for the poor, developing countries. However, its future remains an open question: the basic idea of open source code is old, dating back at least to the origins of writing, but open source has perhaps never been as "open" as one might wish.

The history of Europe has been a history of aggressively defined borders and exclusions, within which people and ethnic groups have positioned themselves in terms of "them" and "us". An important dimension of art now is to explore and analyse these contexts, and thereby find ways of facilitating the development of shared identities that would displace old suspicions and grievances. Art, by its very nature, has always been a communication of new ideas and inventions. Throughout history, and in our own time, the most creative insights often are the product of coincidence, combining existing inventions or even "abusing" technologies.

Like p2p, which relies on its participants to share within the network, the artistic landscape shown here is robust and powerful, relying on collaboration between many variations. Rather than looking for "essences"– of Danishness, Turkishness, Swedishness, Finnishness, etc. – the selection of works has focused on forms of personal expression which provide evidence of the specific elements that form the context of each nation's or continent's identity. Our aim is to foster a collaborative environment in which many individual voices and practices converge and become unified, in a broader understanding of the development of contemporary culture – and of humanity at large.

Marketta Seppälä / Veronica Wiman

Thursday, May 04, 2006

52. Kurzfilmtage Oberhausen

52. Kurzfilmtage Oberhausen
Internationale Kurzfilmtage Oberhausen
Internationale Kurzfilmtage Oberhausen
gGmbHInternational Short Film Festival
OberhausenGrillostr. 3446045 Oberhausen
+49 (0)208 825-2652

52. Internationale Kurzfilmtage Oberhausen
Send me to the seas of love, I’m drowning in my blood / Radical Closure Festivalleiter: Lars Henrik Gass

Filme von:
Harun Farocki, Hussein Chalayan, Anri Sala, Guy Ben-Ner, Avi Mograbi, Yael Bartana, Mona Hatoum, Hussein Chalayan, Clemens von Wedemeyer, Jean-Luc Godard / Anne-Marie Miéville, Jean-Pierre Gorin / Groupe Dziga Vertov, Walid Ra´ad, Hatice Guelreyuez, Mahmoud Hojeij, Omar Amiralay, Hassan Zbib, Olga Nakkas, Cynthia Madansky, Elia Suleiman, Hatice Gueleryuez, Vlatko Gilic, Danielle Arbid, Matei Glass,Rabih Mroueh, Joanna Hajithomas / Khalil Joreij, Ziad Antar, Denis Buga, Hala el Koussy, Christoph Büchel, Miguel Calderon, Marcin Koszalka, Erik van Lieshout, Ahmet Ögüt, Sener Özmen, Oussama Mohamad, Köken Ergun, Sharif Waked, Omar Amiralay, Vlatko Gilic, Lisa Steele, Forough Farrokhzad, Lonnie van Brummelen, Nurit Sharett, Victor Alimpiev, Robert Nelson, Miranda Pennell, Boris Schafgans, Olga Stolpovskaya ...

Podiumsdiskussionen mit: Fareed Armaly, Lonnie van Brummelen, Stuart Comer, Catherine David, Ian White, Stephen Wright, Akram Zaatari ...

Radical Closure / Send me to the seas of love, I'm drowning in my blood

The thematic programme of the 52nd International Short Film Festival Oberhausen presents works from or on the Middle East emerging from and reflecting a background of closing borders and territorial conflicts. Compiled by Lebanese artist Akram Zaatari and headed by a line taken from a Sufi poem by Sayyed Mohammad Hussein Fadlallah, the programme, whose other title, "Radical Closure", is based on a concept by Lebanese writer and video artist Jalal Toufic, features works from countries as diverse as Palestine, Cyprus, Lebanon, Canada, Israel and Yugoslavia. In addition, Fareed Armaly, Catherine David, Lonnie van Brummelen, Stephen Wright, and Akram Zaatari will talk about "Artists as agents of vision" in a panel discussion in the new Oberhausen PODIUM series.

The programme
The programme compiles and presents films and videos that are produced within - or that raise issues related to - situations of closure resulting from wars and / or political territorial conflicts. The programme focuses on a region that was formerly united under the Ottoman Empire, not to promote it as a geopolitical entity, nor to blindly label its production as one of particular ethnic or formal characteristics. Instead, this program aims to look at how film and video functioned throughout a history charged with division, political tension, and political mobilisation, sometimes as a tool, a vehicle to all this, other times as a critical platform.

It also looks at the Middle East as a site of successive wars, excessive division, abundant stereotyping, and subsequently offers an opportunity to study the paradoxical ability of film and video to penetrate these situations in order to describe them. Therefore the programme presents works of different natures and origins - independent films and videos, artists’ films and videos, and documentaries in conjunction with other media documents. The programme considers these works as footnotes, key documents, necessary to the understanding of the state of visual culture under these situations of conflict.

In 11 separate chapters, this programme will look at films and videos that address the questions of borders, closures, wars and the question of militarisation of public life, the rise and oppression of ideologies and religions, and finally misery belts around cities. At the same time, the programme is interested in life in the private space, and particularly in effects of outside violence on the domestic space of home.

Works shown from:
Cyprus, Egypt, Israel, Lebanon, Palestine, Yugoslavia, Syria, Iran, and Turkey, France, Germany, USA and Canada.

Research advisors:
Natasa Petresin
Rasha Salti, CinemaEast Film Festival

The discussion
The panel "Artists as agents of vision / on the subject of wars, political and territorial conflicts" which is part of the new Oberhausen PODIUM series of discussions looks at writers/artists producing and re-producing documents in the contexts of war, political, and territorial conflicts. This is a panel where contributors will present works in photography, film and video to discuss a potential subversive role of documents coming from situations of conflicts, and comment on the forces shaping such forms of representation. Beyond simply challenging the believability or evidence value in documents in general, artists and writers here discuss how one can build or intervene on existing documents, and what one can learn from knowing about their origins and formation, particularly about the links that tie politics to aesthetics, and how does this affect our way of reading and/or constructing images.

Akram Zaatari (artist)

Fareed Armaly (artist) will present a study of Tawfiq Saleh's classic The Dupes (1972) which was based on a story by Palestinian writer Ghassan Kanafani to address notions of representation and identity situated at the intersection between art and the industry of film production.
Catherine David (curator, Documenta X), topic to be announced later.
Lonnie van Brummelen (artist) will talk about her experience in making her silent film triptych Grossraum which explores the composition of the landscape along the current margins of Europe, where photography is not allowed without official permission.
Stephen Wright (art writer) will introduce and discuss the photographic work of Bahman Jalali and Rana Javadi (Iran) which presents a chronicle of the first days of the Islamic Revolution in 1977. Wright looks at the possibility of making images outside the image market and outside surrounding ideologies.

The screenings*

Programme 1: Discourse of resistance and logic of terrorism
Friday, May 5th, 14:30 h
Ici et ailleurs, Jean-Luc Godard/Anne-Marie Miéville, France 1974

Programme 2: The meaning of reproduction
Friday, May 5th, 20:00 h
Hostage: The Bachar Tapes, Walid Raad, Lebanon/USA 2000
Joseph Cicippio, videotape produced in his abduction, 1989
Une sale histoire / Une sale histoire racontée par Jean-Noël Picq, Jean Eustache, France 1977

Programme 3: Education as a Site of Indoctrination
Saturday, May 6th, 14:30 h
The First Ones, Hatice Güleryüz, Turkey 2000
Al yawn wa kol yawn (Today and Everyday), Oussama Mohammad, Syria 1986
Once, Mahmoud Hojeij, Lebanon 1997
Toufan fi balad al baas (A Flood in Baath Country), Omar Amiralay, Syria/France 2003

Programme 4: Make me stop smoking
Saturday, May 6th, 20:00 h
curated by guest artist Rabih Mroué
"I have been collecting worthless material for almost ten years now (...) Today I possess a real archive that relates only to me: a kind of added memory (...) It is an invented memory that is exhausting me and which I cannot liberate myself from. (Uncovering parts of my archive) will be my attempt to destroy a memory that doesn’t know how to erase itself." (Rabih Mroué)

The material:
Testimonies of members of the Lebanese resistance
Two recorded speeches by Ben Laden and Sahhaf
Video rushes of war in Mount Lebanon in 1983
Beirut after the end the war
Images of the artist’s first installation
"I, the under signed". Excerpt from a play that was never shown
Excerpts from a videotape showing the operations of Islamic resistance in South Lebanon
Portraits of missing people. Newspaper cut-outs
The story of a "poster" in Beyrouth. Photographs
Drafts for plays that were never shown

Programme 5: War / the visible signs
Sunday, May 7th, 12:30 h
Mon ami Imad et le taxi (My Friend Imad and the taxi), Olga Nakkas/Hassan Zbib, Lebanon 1985
Still Life, Cynthia Madansky, USA 2004
Auge/Maschine III (Eye/Machine III), Harun Farocki, Germany 2003
Sakreem bil katel, Elia Suleiman, Palestine/USA 1992

Programme 6: Intensive care
Sunday, May 7th, 17:00 h
Intensive Care, Hatice Güleryüz, Turkey 2001
In Continuo, Vlatko Gilic, Yugoslavia 1971
After Words, Hussein Chalayan, Cyprus 2000
Lasting Images, Joanna Hadjithomas/Khalil Joreige,
Lebanon/France 1985-2005
Nous/Nihna, Danielle Arbid, France 2005
Nocturnes, Anri Sala, France 1999
Face A/Face B (Side A/Side B), Rabih Mroué, Lebanon 2002
Magnetic Identities, Matei Glass, Spain 2004

Programme 7: At home?
Monday, May 8th, 12:30 h
WA, Ziad Antar, Lebanon 2004
Tambouro, Ziad Antar, Lebanon 2004
Kardesler (Brothers), Deniz Buga, Turkey 2001
House Hold, Guy Ben-Ner, Israel 2001
Peripheral Stories, Hala el Koussy, Egypt 2005

Programme 8: Schadenfreude
Monday, May 8th, 17:00 h
Guest curator: Tirdad Zolghadr
AC 130 Gunship Video, Christoph Büchel, Switzerland 2004
Inverted Star, Miguel Calderon, Mexico 2002
Such a Nice Boy I Gave Birth To, Marcin Koszalka, Poland 1999
Awakening, Erik Van Lieshout, Netherlands 2005
Cut It Out, Ahmet Ögüt, Turkey 2004
Our Village, Sener Özmen, Turkey 2004
Saida. June 6, 1982, Akram Zaatari, Lebanon 2004

Programme 9; Military culture
Monday, May 8th, 22:30 h
Khotwa khotwa (Step by Step), Oussama Mohammad, Syria 1978
Ben askerim (I, Soldier), Köken Ergun, Turkey 2005
Detail, Avi Mograbi, Israel 2004
Chic Point, Sharif Waked, Israel 2003
Kings of the Hill, Yael Bartana, Netherlands/Israel 2003
Tabaq al sardine, Omar Amiralay, France 1997

Programme 10: Personal narratives
Tuesday, May 9th, 14:30 h
Ljubav (Love), Vlatko Gilic, Yugoslavia 1972
Measures of Distance, Mona Hatoum, Great Britain 1988
(It was) Just a Job, Samir, Switzerland/Iraq 1992
Birthday Suit - with Scars and Defects, Lisa Steele, Canada 1974
Khaneh siah ast (The House Is Dark), Forough Farrokhzad, Iran 1963

Programme 11: Borders
Tuesday, May 9th, 17:00 h
Großraum: Lefkosia, Lonnie van Brummelen, Netherlands 2005
Temporal Meditations, Hussein Chalayan, Cyprus 2004
Sof sof choref (Winter At Last), Nurit Sharett, Israel 2005
Otjesd (Leaving), Clemens von Wedemeyer, Germany 2005

* working version, subject to alterations

52nd International Short Film Festival Oberhausen, 4-9 May 2006

Oberhausen, 24 March 2006

Accreditation deadline for the 52nd International Short Film Festival Oberhausen is 10 April 2006. The accreditation form is available at as download, or it can be requested from the press office.

Press contact: Sabine Niewalda, Fon +49 (0)208-825-3073,

Tuesday, May 02, 2006

2 minutes in a world of conflict